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Summary of the government's ongoing programme of work addressing key issues identified by the DCMS Select Committee’s Inquiry into the Economics of Music Streaming, including an indicative timeline for upcoming milestones.
You usually need a licence from PPL PRS to play live or recorded music in public - includes playing background music at your business, and staging live music or theatre productions.
Sets out our vision for music education and how this can be achieved through partnerships with schools, music hubs, the music and creative sector, and others.
Two expert working groups have been established to develop, support and champion practical measures to facilitate delivery of the core data set outlined in the metadata agreement.
A review of research into factors that influence the quality of music education in schools in England.
Guidance for schools to help teach music at key stages 1, 2 and 3 and progress pupils through the national curriculum.
An Ofsted subject report on the quality of music education in the schools inspected in England.
The music industry has agreed commitments to improve music streaming metadata. The Government is also establishing a working group on creator remuneration
If you work in the music industry and handle metadata, we want to hear from you by 30 November 2023.
Music industry voluntary code that is a commitment to standards of good practice in relation to music streaming.
Subject content, aims and learning objectives for GCSE in music for teaching from 2016.
Development programmes have traditionally drawn on music to promote social transformation by educating citizens on social issues
Issues facing the music industry in improving data management.
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